Learn what actually works on Substack, Discord, Instagram, TikTok, Reddit, LinkedIn, and mailing lists, from someone who’s tried them all as an artist manager.

OH! Daisy in front of a rare Blockbuster Video. L-R Nick, Holly, Bambi, Iz & Yelo. 📸 by @actfourphoto OH! Daisy is back - and this time,...

Learn why building steady career momentum beats chasing viral fame for independent musicians serious about long-term success.

Brad Keeghan’s latest single Crossroads is a bold, high-energy instrumental piece that thrives on movement, tension, and release....

Max the Knife at BIGSOUND, 2024. There was a time when discovering new music felt like an event; lining up for an album, waiting for a...

Spiderbait at The Forum, 2024. More music is being released than ever before. Streaming platforms are flooded with new songs daily, and...

Meredith Music Festival, 2024. Australia’s music festival landscape is shifting—major festivals are folding, and artists are losing key...

Ocean Alley at Splendour in the Grass, 2023. This year’s Hottest 100 results raised a lot of questions. Only 18 Australian artists made...

Following a year of impressive releases and his debut EP, Brad Keeghan returns with his latest single, Lentil Living. This new track, set...

It’s time! I’m excited to announce the launch of Keeping Time with Fiske , a Substack newsletter built for independent musicians who want...

QLD indie-punk/garage trio Haters return with their explosive new single ‘Wander // Wonder’

Glass ceilings show up everywhere in music. It’s not always about being told no directly. Sometimes it’s about not being seen at all.